Projects

Emily Crockford and Studio A Guest Artist Rosie Deacon created an exhibition that can only be described as part mermaid garden, part titanic shipwreck and part aquatic dance party.

In collaboration with Simon Wheeldon, Thom Roberts became the architect of his own little metropolis at Mosman Art Gallery.

Thom Roberts and Gabrielle Mordy were invited to present at the 111th College Arts Association Annual Conference in New York City.

In this art installation, Thom Roberts became the architect of his own city, a playful and vivacious metropolis where each skyscraper bursts with character.

Seed Stitch Contemporary Textile Award recognises highly skilled and diverse textile artists.

Part documentary, part fashion editorial, ‘Inside Studio A’ is a unique peek into the magical world of Studio A.

Studio A unveiled a new exhibition Trophy Dreams in partnership with UNSW Library and UNSW Art Collection, curated by Elena Taylor.

Five Studio A artists were recognised as finalists in the 2022 iteration of the Archibald and Sulman Prizes.

Skye Saxon featured in From impulse to action, the first exhibition of the newly expanded Bundanon homestead and museum.

Thom Roberts transformed the expansive backspace of Cement Fondu into Courthouse Cats, a four-walled, animated reimagining of a courthouse as a tennis match.

Magical Putt Putt saw a collective of Studio A artists transform Cement Fondu’s main gallery into a spiritual mini-golf experience with performative activations.

Emily Crockford’s dazzling ‘The Phantom (Sydney) Opera House’ was selected for the cover of the iconic venue’s Diversity, Inclusion & Belonging Strategy for 2021-23.