Studio A unveiled a new exhibition Trophy Dreams in partnership with UNSW Library and UNSW Art Collection, curated by Elena Taylor.
Skye Saxon featured in From impulse to action, the first exhibition of the newly expanded Bundanon homestead and museum.
Thom Roberts transformed the expansive backspace of Cement Fondu into Courthouse Cats, a four-walled, animated reimagining of a courthouse as a tennis match.
Magical Putt Putt saw a collective of Studio A artists transform Cement Fondu’s main gallery into a spiritual mini-golf experience with performative activations.
Emily Crockford’s dazzling ‘The Phantom (Sydney) Opera House’ was selected for the cover of the iconic venue’s Diversity, Inclusion & Belonging Strategy for 2021-23.
During the 2021 Sydney Solstice Festival, Studio A and Jaycee Kim created the large-scale moving image work Merman Metamorphosis.
For the centenary of the Archibald Prize, Victoria Atkinson and Thom Roberts were 2 of 52 finalists, selected from over 900 entries.
The hordes that flock to Stockland Shopping Centres around Australia might find Lisa Scott’s Two Love Birds prettily sitting between two storefronts. The acrylic and mixed-media painting was one of a number of artworks licensed by the company to enliven their retail corridors.