Studio A support material for
Create NSW grant acquittal
birdfoxmonster
birdfoxmonster, a multi-sensorial performance and dining experience created through a new collaboration between Studio A and Erth Visual and Physical Inc., presented by Carriageworks.
Marks in Motion
(from left) Damian Showyin, Jenette Scanes, Paul Williams and Peter Dudding working on a collaborative painting for Marks in Motion in the Underbelly Arts Festival, National Art School, 2017.
Rush Hour at Cloud Heaven
Thom and Angelmouse, Rush Hour at Cloud Heaven (detail), multi-media installation at Customs House for The Big Anxiety Festival, 2017
Sydney Contemporary
(Top) Installation of Thom Roberts work in Sydney Contemporary, 2017
(Bottom Left), Thom Roberts drawing portraits for the public at Sydney Contemporary, 2017
(Bottom Right) Arunan Dharmalingham with his artwork at Sydney Contemporary, 2017
Skye Saxon, performing as The Snowflake Shaman in her performance and installation, The Snowflake Shaman's Winter Wonderland at Cement Festival, Kandos, 2017
Thom Roberts working in participatory artwork, The Positive and Negative of Thom Roberts' Workshop at Cementa Festival, Kandos, 2017
Studio A in the media:
My dinner with birdfoxmonster by Katerina Sakkas for Realtime magazine, 10 October 2017
Immersive performance Birdfoxmonster invites audience to table at Carriageworks, by Melanie Kembrey for Spectrum Magazine, The Sydney Morning Herald, 15 September 2017
birdfoxmonster by Ann Foo for ArtsHub, 22 September 2017
Creatures of the Night by Elissa Blake for the Carriageworks blog, 4 September 2017
Marks in Motion, by Hannah Muir, As We Are Newsletter, Page 16, 10 December 2017
Where art and business sculpt a studio like no other, by Emma Forster, Westpac News, 29 August 2017
Disabled artists seek to be judged on their talents, by Miriam Cosic, The Australian, 27 May 2017
Skye Saxon: Cementa 17, by Accessible Arts NSW, 26 June 2017
Autism and the Arts: Making a Space for Different Minds, by Katie Sutherland, The Conversation, 22 October 2017